Bong Joon-ho's previous films are two solid box office hits, "Memories of Murder” (2003) and "The Host" (2006). And this year he's back with another acclaimed film called "Mother". Moved from monster film, the director is return to crime drama thriller, but the lead character is not a detective instead a devoted and determined mom. It’s also absolutely differing from most thrillers which usually boasts a lineup of younger male actors, Korean veteran actress Kim Hye-Ja plays the role of a distressed mother, when her son is accused of a horrible murder in their neighborhood, her maternal instinct forces her to conduct her own investigation, one that will uncover dangerous secrets as she unravels the mysterious truth.
The 128-minute film, in Korean with English subtitles, received a standing ovation after premiering at this year's Cannes International Film Festival in May and also garnered attention at the Toronto International Film Festival. Through its South Korean theatrical run "Mother" sold a total of 3 million tickets (grossing 19.9 billion ₩) & staying in the top ten for 6 consecutive weeks. It also was chosen as Korea's submission to compete for the Best Foreign Language Film in the 82nd Academy Awards in 2010. The other candidates were "A Frozen Flower," "Thirst," "Breathless," "Old Partner," and "Lifting King Kong." Now, if you want to own the DVD version of this film, it will be available at YesAsia from November 5, 2009. So, let's pre-order now!
“Mother” tells a story about a mother who widowed for a long time and now lives alone with her only son. Her son is a 28 years old, shy and quiet young man, who’s also socially awkward, lacking the ability to deal gracefully with other people, always rubbing them the wrong way and getting into trouble around town.
One day there is a terrible murder, and the woman’s hopeless, helpless son become the prime suspect. There is no real evidence against him, but he is an outcast and the police groundlessly suspect him almost instantly. He is a convenient scapegoat, but the trouble is that there is no way he can easily prove his innocence, either.
Eager to close the case, the police are happy with their cursory investigation and they make their arrest. His defense attorney turns out to be incompetent and unreliable and a conviction seems inevitable. So, faced with no other choice, his mother gets involved, determined to prove her son’s innocence.
She knows that the real murderer is still out there, somewhere, hiding and watching while her son gets punished for a crime he didn’t commit, and so she vows to track him down. Racing into the darkness of the strange countryside her obsessive love for her only son burns in her breast, like an all-consuming flame, driving her into the darkness on her mad, futile quest, dragging up and cracking open the darkest secrets of her small town, one by one.
The 2-Disc Special Edition of "Mother" comes with audio commentary, making of, deleted scenes, interview with the cinematographer, location stills, trailers, and other special features. (PURCHASE "MOTHER" DVD AT YESASIA)
More "Memories of Murder” than "The Host", "Mother" finds Bong returning to the small-town whodunit, but where the earlier film dealt with a community grappling with the unthinkable, this one operates on a more intimate scale. Kim's maternal instinct to protect her son, intensified by his child-like deficiencies, takes Mother to increasingly nervy places, as she takes it upon herself to exonerate the boy. Like Noel, I think the film could be a bit tighter, but the third act pays off big time, with a pile-up of revelations that suggest both the breadth and the limits of her devotion. And Bong becomes a more confident stylist with each successive effort: He knows how to draw out suspense-some sequences here are almost Hitchcockian in their elegance-and he's not afraid to cut the somber proceedings with quick hits of slapstick and black comedy. South Korean films are known for their tonal schizophrenia, but Bong has more control than most; the mix of comedy, drama, and suspense in his work is not jarring, but responsive to the complexity of human life. It's a supreme compliment to say that at the end of Mother, you appreciate the many sides of the eponymous character while still finding her mysterious. (review by Scott - www.avclub.com)
The 128-minute film, in Korean with English subtitles, received a standing ovation after premiering at this year's Cannes International Film Festival in May and also garnered attention at the Toronto International Film Festival. Through its South Korean theatrical run "Mother" sold a total of 3 million tickets (grossing 19.9 billion ₩) & staying in the top ten for 6 consecutive weeks. It also was chosen as Korea's submission to compete for the Best Foreign Language Film in the 82nd Academy Awards in 2010. The other candidates were "A Frozen Flower," "Thirst," "Breathless," "Old Partner," and "Lifting King Kong." Now, if you want to own the DVD version of this film, it will be available at YesAsia from November 5, 2009. So, let's pre-order now!
“Mother” tells a story about a mother who widowed for a long time and now lives alone with her only son. Her son is a 28 years old, shy and quiet young man, who’s also socially awkward, lacking the ability to deal gracefully with other people, always rubbing them the wrong way and getting into trouble around town.
One day there is a terrible murder, and the woman’s hopeless, helpless son become the prime suspect. There is no real evidence against him, but he is an outcast and the police groundlessly suspect him almost instantly. He is a convenient scapegoat, but the trouble is that there is no way he can easily prove his innocence, either.
Eager to close the case, the police are happy with their cursory investigation and they make their arrest. His defense attorney turns out to be incompetent and unreliable and a conviction seems inevitable. So, faced with no other choice, his mother gets involved, determined to prove her son’s innocence.
She knows that the real murderer is still out there, somewhere, hiding and watching while her son gets punished for a crime he didn’t commit, and so she vows to track him down. Racing into the darkness of the strange countryside her obsessive love for her only son burns in her breast, like an all-consuming flame, driving her into the darkness on her mad, futile quest, dragging up and cracking open the darkest secrets of her small town, one by one.
The 2-Disc Special Edition of "Mother" comes with audio commentary, making of, deleted scenes, interview with the cinematographer, location stills, trailers, and other special features. (PURCHASE "MOTHER" DVD AT YESASIA)
More "Memories of Murder” than "The Host", "Mother" finds Bong returning to the small-town whodunit, but where the earlier film dealt with a community grappling with the unthinkable, this one operates on a more intimate scale. Kim's maternal instinct to protect her son, intensified by his child-like deficiencies, takes Mother to increasingly nervy places, as she takes it upon herself to exonerate the boy. Like Noel, I think the film could be a bit tighter, but the third act pays off big time, with a pile-up of revelations that suggest both the breadth and the limits of her devotion. And Bong becomes a more confident stylist with each successive effort: He knows how to draw out suspense-some sequences here are almost Hitchcockian in their elegance-and he's not afraid to cut the somber proceedings with quick hits of slapstick and black comedy. South Korean films are known for their tonal schizophrenia, but Bong has more control than most; the mix of comedy, drama, and suspense in his work is not jarring, but responsive to the complexity of human life. It's a supreme compliment to say that at the end of Mother, you appreciate the many sides of the eponymous character while still finding her mysterious. (review by Scott - www.avclub.com)
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